Choosing Leather

Choosing leather for shoes

These are my current thoughts on leather choices for the various parts of a handmade shoe. First, a little introduction to shoe leather.

Vegetable tanned vs. Chrome tanned

Vegetable tanned leather is the mother of leathers. It’s tanned through a traditional process, free of harmful chemicals and with a genuine smell. It ages beautifully over time, takes dye with ease, and is very durable. You can moisten, shape and stamp vegetable tanned leather in ways that you simply cannot do with chrome tanned leather. On the downside, its ability to soak up water like a sponge is not always beneficial.

In the other side of the ring, we have chrome tanned leather. The absolute vast majority of men’s quality shoes are made with uppers that are chrome tanned. This leather (in the high quality options) offers great durability and resistance to the elements. Chrome tanned leather is easier to work with in many aspects, more water resistant, and for good and bad it doesn’t really ‘age’. Premium chrome tanned leather takes shoe polish extremely well.

So, which way to go? The answer tends to be a mixture of both: usually chrome tanned uppers, and veg tanned for everything else. It is also an option to use 100% veg tanned leather for a pair of shoes, uppers and all. (I’ve made a few like that.) Regardless of the upper leather, some parts of the shoe must be vegetable tanned as explained later below.

Cut

Even if you get the most expensive, top dollar hide, all parts of that same premium hide will not be created equal. As can be read in Analysis of leather and materials used in making it (1931), this image pretty much sums it up:

leather cuts

Stretch

The natural stretch direction of the leather must be taken into consideration when cutting out the pieces. Closer to the spine, the leather stretches alongside ‘with’ the spine (in both ways from head to butt), and is firm in the other direction. Closer to the belly, the deal is the opposite: here the leather stretches both ways from spine to belly, and is slightly more firm in the other direction (from butt to front). I place the patterns so that the stretch direction of each individual upper piece goes in under the last of the shoe. I favor the 1st and 2d grade areas in the image above. Sometimes I may just sneak a little into a 3d grade area for more hidden parts of the shoe (like quarters), but usually not. I never use any 4th grade areas.

Upper leather

Upper leather should ideally be between 3 and 5 oz in thickness, which is equivalent to ca 1.2 – 2.0 mm. For a first shoe project, I’d favor around 3-4 oz chrome tanned calf for uppers. Upper leather can be sourced cheaply, or it can be very pricey. 

Depicted here is an upper in Tannerie d’Annoay scotch grain from Kolde leder.

07-upper

The best calf leather for shoes that is known to man is available at Kolde Leder and A&A Crack & Sons. It’s also very expensive for a private persons pocket. These retailers between them stock international top quality product like Horween shell cordovan, Tannerie d’Annonay, Tanneries Du Puy, and Weinheimer/Freudenberg box calf, etc. GVT Fast stocks some nice and more affordable boxcalf and museum calf by Ilcea tannery. They also have some great and wallet friendly ‘intermediate’ options like a fine reverse grain suede and scotch grain calf.

For the hobbyist getting started, far more affordable alternatives are offered at buyleatheronline. As long as cost is a big issue, I would advise against getting the most expensive and qualitative leather for your first couple of pairs. Many professionals give opposite advice, and advocate going straight for the end goal and using the highest quality of materials from the get go. That is certainly a more efficient way to learn how to work with ‘the real deal’ (which is also a bit more difficult) – but it’s also more expensive.

Lining

Lining is ideally made from vegetable tanned calf IMO, between 2 and 3 oz in thickness (ca 0.8 to 1.2 mm). My favorite lining atm is this 0,8 mm vegetable tanned baby calf. Chrome tanned leather can also be used as lining, but I prefer vegetable tanned.

Beading

Inserting beading between uppers and lining is optional. I often like to use a thin, 1 oz chrome or veg tanned leather as beading. A cheap option for starting out would be 1 oz lamb.

Toe puff & heel counter (stiffeners)

Toe puffs and heel counter stiffeners should be veg tanned. I’ve mainly used 5 oz pure veg tanned and 5-6 oz veg tan Tärnsjö garveri, and sometimes experimented with 5 oz latigo tanned shoulder leather. Depicted below is a 5 oz pure veg tanned toe puff, first lasted on top of the lining with Hirschkleber and then trimmed and sanded once dry, to keep a crisp feather edge.

06 toe chisel

Rand

Veg tan according to preference. I like to use ca 7-8 oz veg tan from Tärnsjö Tannery. Using a pegged rand at the heel is optional, though – one could also sew the upper and lining together there.

19 welted again

Welt

I like natural colored welting leather from Leather & Grindery. You can also make your own from veg tanned leather in your thickness of choice, preferrably the same thickness as the rand.

02 Hand welted.jpg

Insoles

The insole is the core of the shoe. Thick, vegetable tanned calf should do the trick, between 11 and 14 oz depending on the desired result. I’ve used 12-13 oz veg tan from Tärnsjö Garveri, 11 oz Italian dorsal and 12-13 oz veg tanned butt (durable, but also very difficult to work with due to its hard temper). My favorite thus far (and coincidentally the most expensive) is 7-9 iron buffed insole shoulder from J&FJ Baker, shown below.

01 Thick Insole

Outsoles

Thick ol’ hard tempered veg tan, around 12 oz. For leather sole shoes, I most often use 9 iron (equivalent to 12 oz) J. Rendenbach outsoles. (Or at least I used to, before they shut down production and sold the recipe to Kilger. Waiting for JR by Kilger to become available.) It’s of course possible to go both up or down in thickness, depending on preference. 

Augusta Outsole

Heel lifts

Any veg tanned leather will do, with a thickness depending on how thick lifts you want. The easiest way to start is to use outsole leather. The thicker the lifts, the easier to make – the thinner, the more prestigious. Depicted below is 5 mm heel lifts (easy, but not very prestigious).

heel glassing

First project suggestions

For someone starting out on a shoemaking journey, trying to keep the costs down low and the amount of different leather types to a minimum, I would probably advise to get the following leathers – taking price very much into account.

Upper: 3-4 oz boxcalf, or 3-4 oz dollar printed calf
Lining (and optional beading): 2 oz baby calf
Stiffeners, rand and welt: 6 oz / 2,5 mm veg tan
Insoles: insole leather, or in an emergency, 11 oz dorsal
Outsole + heel lifts: 13 oz veg tanned butt (or the same option in 9-10 oz for a thinner sole).

The list above is by no means the highest quality options, but it would certainly make do to start. The leathers mentioned should be enough for 2-3 pairs of shoes depending on how much of the hide you use. Some additional hardware is required, like top lifts and shanks, and of course stuff like glue and nails, etc. See my page List of materials for the other stuff needed.

Upgrade options

Some upgrade recommendations, for the bigger wallet and ambition.

Upper: Ilcea box calf or better yet, French box calf (Tannerie du Puy)
Lining: 2 oz baby calf still works great, IMO
Beading: Something like 1 oz veg tanned calf, or another leather of your choice (preferrably thinner than the lining)
Stiffeners, rand: 6 oz / 2,5 mm veg tan or similar
Welt: Welting leather
Insoles: Insole leather, or the cheaper (but bigger order) option buffed insole shoulder
Outsoles: Tannerie Garat or J&FJ Baker. (Maybe this could also do, though I haven’t tried it.)
Top lifts: Something like this.